Ama screenplay – First draft – Scene 34 to 38

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34.
INT. KITCHEN, JASON’S HOUSE – DAY

JASON’S DOPPELGANGER looks at the blood on the floor and slowly follows the smeared trail to the outside door.

JASON’S DOPPELGANGER

No… Oh, baby. Oh God, no. What have you done? What have you done!
(yells)
Call for an ambulance, Zo!

35.
INT. LIVING ROOM, JASON’S HOUSE – DAY

JASON’S DOPPELGANGER (O.S.)

Call for a fucking ambulance!

LILITH

Now it’s time for your monster to show its head.

JASON

Yes, I know.

LILITH

(scoffs)

Civilised beings? Millennia come and gone, and the only conclusion I can come to is that your kind should have stayed up in the trees.

36.
EXT. SIDE OF HOUSE, JASON’S HOUSE – DAY

JASON’S DOPPELGANGER stares at the blood on the side of the wheelie bin.

JASON’S DOPPELGANGER

She’s not in there… Oh, God, she’s not in there.

JASON’S DOPPELGANGER opens the bin, revealing EMILY’S dead and crumpled body within. He carefully removes EMILY’S body from the bin.

37.
INT. KITCHEN, JASON’S HOUSE – DAY

JASON’S DOPPELGANGER lays EMILY’S body on the floor and starts to perform CPR on her.

JASON’S DOPPELGANGER
(yells despairingly)

Call for an ambulance!

38.
INT. LIVING ROOM, JASON’S HOUSE – DAY

LILITH

Oh, how wonderful it is to taste your pain, but it’s not enough.

JASON’S DOPPELGANGER runs into the room, grabs the cordless phone, and dials 999.

JASON’S DOPPELGANGER

Ambulance! Yes… My daughter… She’s killed my Emily, my daughter, she’s… Oh, God, my Angel. What do I do?

ZOE jumps to her feet and slaps JASON’S DOPPELGANGER.

ZOE

Never mind that. Did you get the garlic?

JASON’S DOPPELGANGER

What?

ZOE

Did you get the fucking garlic? I see you bought wine, you pathetic alky, but did you get the bastard garlic, you shitty little fuckwit?
(laughs hysterically)

JASON’S DOPPELGANGER

She’s dead, Zoe. You killed our little girl.

ZOE grabs the phone from JASON’S DOPPELGANGER and throws it against the wall, then rushes out of the room.

JASON’S DOPPELGANGER picks up the phone and desperately tries to make it work, but it is broken.

ZOE comes back into the room, waving a six-inch kitchen knife.

ZOE

Our daughter is on the kitchen floor, did you know that? She’s dead, you bastard. She’s dead and you killed her, didn’t you? You’re not having another one. You can’t make me have another—

The walls are suddenly lit up blue, as a POLICE CAR screeches to a stop outside.


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